Hypnotic Billy 5 - Cyber Ecstasy
Sometimes we peak early. Shit happens. Most of the songs on the EP sound like they were microwaved a few seconds before release time. Plenty of bands go on hiatus, but with the Hold Steady it made a bit more sense. Each song is a short story: a collection of misguided nostalgia transmuted into tiny details that evoke a feeling of sentimentality. Hot Girl Summer is a meme, sure, but it is first and foremost a way of life. It is bad bitches living their baddest bitch truth.
Mark Ronson ft. Atlanta fans may recognize Yellow Days — a. His knack? Writing songs about feeling exhausted that sound decidedly unbothered. E f. E did it to himself. The tune runs just under five minutes, but in the right groove you could imagine listening to it for hours on repeat. That he collaborated with fellow Brit Tom Misch to serve up some sinister funk is almost too much. Dearly departed synth-pop heroes Chairlift were always underrated for how weird they could sound — an expert mingling of the strange and the accessible, as Caroline Polachek and Patrick Wimberly tinkered in the studio like mad synth-pop scientists.
Benny the Butcher ft. He raps everything at pretty much the exact same speed, and like some kind of menacing but not especially emotional Godzilla, he destroys everything in his path. He may have just landed himself, at No. GoldLink ft. Packed with plenty of features — from Pusha T, Tyler, the Creator, Khalid, Bibi Bourelly, and more — the debut album the others were technically mixtapes is a certified bop.
Featuring Tyler, the Creator and Jay Prince, this song will be booming loudly on every block this summer. GoldLink, thank you for the perfect summer vibe. The more-multifarious-than-you-think sound of emo has, arguably, become the predominant style in indie rock over the past five years — in other words, the perfect time for the Appleseed Cast to return. And she comes at night just as the singer is about to give up and fall asleep.
This other person is loud and unpredictable. If not, why not? We damn well should. Banks ft. You have my attention again, Jillian. Freddie Gibbs and Madlib ft. Paak to ooze out a melodic rap that calms things down and closes out the song. In a cramped recording studio in Soho, a shoeless Jacob Collier hits play.
A handful of critics, friends, and collaborators form a crescent around the year-old Brit. Some recline on velvet couches while others sit cross-legged on the floor.www.cantinesanpancrazio.it/components/korahic/1019-copiare-rubrica.php
Cyber Trance [Avex Japan]
Nine minutes and 5, vocal parts later, the curtain drops. It turns a staid lullaby into a living chorus that sticks with you long after its final note. It builds into a cacophony of voices in total singing overlapping, elongated parts. Collier reached out to featured collaborators with a simple ask: record yourself singing moon in B-flat and send the video clip his way. They are, respectively, impossibly prolific and yet rarely sacrifice quality in saturating the global market. Those larger-than-life synth swells are the DNA of Scandinavian pop production, and are also the foundation of this song.
In the film, that Vulture essentially willed into being , Park plays Marcus Kim, the lead singer of Hello Peril, a good? San Francisco local band that has exactly one hit. Alex eases us in with a familiar feeling of comfort by using an acoustic guitar, metallic piano, and faint pitter-pattering drums before coming in hot with synthesizers and manipulating his vocals by shifting the pitch. Indie rocker Jay Som unleashed a quiet riot with her breakout LP Everybody Works, and this first single from her forthcoming third album Anak Ko suggests that her hot streak of emotive, youthful-sounding indie rock is tough to break.
MUNA do both. With their second album confirmed for later this summer, is about to be theirs. What is Bon Iver up to? Justin Vernon premiered new material at a concert last weekend, and before you knew it he was unveiling a new website with some of those new songs for your home-listening pleasure. Three years later and the boys are back to kickoff the start of summer with a batch of fresh tunes that make you feel alive. While I never want them to depart for that long again, I fully respect their process.
Her latest solo single is eight and a half minutes of sneaky, brilliant house music—the type of tricky bliss that Vladislav Delay once achieved on his classic Luomo record Vocalcity, only these grooves come from frequent Murphy collaborator Crooked Man. Listen to this in the dark — or anywhere else, really. Justice for Witness! Is there anything that needs to be said other than my heart is full? This is quite possibly the best way to kick off Pride.
Sound like a lot? Well the chorus is contagious, so watch out. It was too much when Sleater-Kinney posted a photo of the three of them with St. Vincent at the start of the year, but it was also welcome. Vincent had since continued to become one of the most versatile and vital gifts in alternative rock. It also created a palpable thrill for what such a collaboration might sound like.
Well, it sounds like an angular guitar battlefield in which nobody crosses the desires of the women instigating this party. What an invitation. Ready for a hot take? Call me crazy, but over the past five years the Voidz have gone from brown-sound annoyance to one of the most interesting rock bands going right now. Callinan, it sounds a little like house music, and features liberal amounts of Auto-Tune. Yup, sounds about right. Swim Deep are a once NME-championed band from the early s London indie scene; they came from Birmingham with enormous ambition and even bigger hearts, were signed to a major label, and became the alternative equivalent of a boy band.
The music was always good, but somehow as the music got better, the band found themselves in more perilous situations. Some lineup shifts and life struggles later, front man Austin Williams, bassist Cavan McCarthy, and keys man James Balmont now return with new players. Burial back! New music from William Bevan — one of the most influential dance producers of the last 20 years, full stop — is always cause for celebration, and the heads surely salivated this week at the announcement of a new two-tracker out next month from his longtime label home Hyperdub.
Cue the King Princess drop-your-debut-album challenge. The Puth co-wrote and co-produced the thing! The Compton-based producer, songwriter, and multi-instrumentalist known for his work as a member of the Internet has unleashed his debut album Apollo XXI today, and the hype has not been unwarranted. Certain moments vibe much harder than others. In other words, another curveball from Clairo, and undoubtedly not the last, either.
This single smashes so hard, I want it to come on every time I step out on a rooftop. I was a philosophy major. Dystopian, but make it disco. I am still longing and seeking something more. Who I am is not a place at which I can arrive. On Fever , Megan Thee Stallion bounces between freaky and greedy, rapping about doing hood-rat shit with her friends, going to Pappadeaux real ones know , and ignoring every man until they start talking about having sex with her.
Lot to unpack here, so pull up a chair. Maluma ft. The song combines the infectious energy that has catapulted both Ozuna and Maluma to the global stage over the past year. Where I pulled that comparison from goes beyond my own understanding, but I said what I said! Summer is right around the corner and this album will have been worth the wait whenever the Canadian trio is ready to share it with us. The ability to connect with a live audience is what distinguishes great from good performers. Plucked from her retail gig after a stint playing on the streets of Byron Bay made her an overnight sensation , Tones and I delivered her second single earlier this week.
Not exactly a cheery sentiment but an indie bop for fans of the Cranberries and, naturally, the Pogues. The D. Ari knows what she wants, and just wants you to stay a little longer. Fuckboys are everywhere. Us girls can be fuckboys too. In fact, many of us wear the badge proudly. Sale,Robert Q.
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Holocaust is a fictional character that appears in comic books published by Marvel Comics. Bruce Banner was transformed into the incredibly powerful creature called the Hulk. An all too often misunderstood hero, the angrier the Hulk gets, the stronger the Hulk gets. Now with a new outlook on life, Tony uses his money and intelligence to make the world a safer, better place as Iron Man. Karl Malus is a fictional mad scientist and criminal in the Marvel Universe. Karma is a mutant endowed with the ability to seize control of another's mind, though she has sometimes been depicted with other more extensive psionic abilities.
Katherine 'Kate' Waynesboro is a fictional comic book character appearing in books published by Marvel Comics, primarily as a supporting character to the Hulk. Doom is a fictional character appearing in the Marvel Comics universe. The character's first appearance was in Conan the Barbarian No. Leech made his first appearance in Uncanny X-Men as a Morlock, a group of mutants whose deformities force them to live in the sewers under Manhattan. Libra is the name of different characters in Marvel Comics. Edward Lansky is a fictional character, a supervillain in the Marvel Comics universe.
Michael Straczynski,John Romita Jr. Croix is a fictional comic book superheroine, a mutant who appears in the X-Men family of books published by Marvel Comics. Jaspers was a British member of Parliament with a mutated brain that enabled him to alter reality; an unfortunate side effect of this power was that it quickly drove him mad once he began to use it on a larger scale.
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Fish is the name of two Marvel Comics supervillains. A fan of super heroes, in particular Carol Danvers, Kamala took up Captain Marvel's former identity, becoming the new Ms. This up and coming hero works to protect her community and understand her place in the world. The more well known Nanny is a mutant. D,Secret Warriors,Sgt. Nightshade and Deadly Nightshade is a fictional character in the Marvel Universe. The new Human Rocket struggles to become a hero while searching for his dad.
Suzanne was born in Tuebingen, Germany where as a three year old, Doucet discovered her innate artistic gifts. Instinctively, she was always drawing, playing music, singing, and writing.
By the age of 18, Suzanne was an established pop star in Germany with several 1 hits. She also made her mark as a composer, actress, TV moderator, director, engineer, and producer. At age In she released a triple album of field recordings and mind-expanding psychedelia under the name Zweistein. For the next ten years, she developed her own style of New Age music while exploring many areas of metaphysics and spiritual practices, including astrology, music therapy, tarot, yoga and the Kabbalah. In , Doucet launched a record label in West Germany named Isis, after the Egyptian goddess of feminine divinity.
Suzanne and Christian recorded acoustic sounds such as waterdrops and vocals using sophisticated sound manipulation devices and muli-track recording techniques. The only electronic instruments used were the Jupiter 8 and the Roland TR drum machine.
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Both cassettes had mirrored covers, a reference to the Zweistein jacket 14 years prior. Each is stamped with a rainbow foil of the goddess Isis and includes an 8-page full color magazine designed by Eloise Leigh with liner notes, photos and reflections by Suzanne. We also have a small amount of stand alone albums available housed in jackets using the original cassette artwork. All albums have been remastered by George Horn at Fantasy Studios. Doucet's career placed her at the forefront of blossoming New Age Music movement.
Just in time for summer season the release showcases five playful and versatile tracks ranging from house and electro to ambient - each with their own distinctive character. Profits will be donated to Musicians Without Borders. House music compilation from Leipzig vinyl pressing plant R. Beginning a new series of Remix Packs, in which favorite artists and label affiliates are remixing tracks from different Malka Tuti back-catalogue releases. All Tracks were mixed by Gordon Pohl.
The collection, made across multiple sessions over a 3 year period, documents various aspects of the sonic world BNJMN inhabits. The ongoing project demonstrates the lighter and darker, yet always emotional side of the Berlin resident. Limited edition cassette and digital release. Mastered by Inland. Artwork by Youvalle Levy. All four remixes revel in the freedom of the original tunes, and each, while anchored in dubwise techniques, are totally unhindered by tempo or other genre constraints. Plucked guitar figures recall the African roots of contemporary bass music, and tape hiss buffets the listener back and forth through a sonic hall of portals and passages.
Out-of-body music for the inner Upsetter. Best enjoyed on hi-fidelity, stereo sound systems. The must have DJ tool is back for a third chapter Label boss Pete OntheCorner has dipped into his secret stash of firelighters from around the globe. The very latest productions, new signees, dubs and remixes bring a future taste of the action On the Corner. There are some familiar faces occupying this tasty wax and some new comers.
Equally tapping into the early nineties, Structure — We are Structure is a weighty acid banger with no frills attached. As ever with Ferraro, though, not all is quite what it seems. He somehow manages to highlight an ambiguity between the objective reality and its mediated, subjective reflection, with a music that speaks to the impending, heightening drama of the situation, but also the saccharine melodrama of weepy emoji-adorned social media statuses Attenborough and the well-meaning but ultimately piecemeal measures taken to avoid the inevitable. The young Italian, offers a sample-heavy EP infusing a colourful mixture of early 90s techno, some hardcore elements and a UKG groover.
The EP finishes with a slight change of direction.
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Arctor has a way of making music for moments where the crowd has just melted in the palm of the dancefloor. His latest EP bursts with kaleidoscopic melodies and streamlined percussion, continuing his run of sophisticated electro euphoria. Gritty vocals skitter over stabs and traces of acid: an adrenaline shot to the ears, but also full of soulful feeling. His painstaking research in this field unearthed the works of Be Be-2 was the brainchild of cosmic rock guitarist Zen Oikawa and Psycho.
The band released two flexi discs and a cassette on Oikawa's Inner Space Records in the early 80s. Prior to that, Oikawa ran a cosmic rock band called Space Mandala, Be-2 was his merging of that style with the new wave moves of the early 80s. Available on vinyl for first time, and featuring unreleased tracks. Originally self-released as a tape under the artist name Pest e , this collection of IDM and analog electronics is in fact the debut Lowfish album. Intended as a demo, it caught the attention of infamous UK label Skam —but after months of fruitless phone tag with the label, it was time for Gregory De Rocher to strike out on his own.
Although largely on the armchair techno tip, the dense drum programming also nods to the burgeoning drum and bass movement, which De Rocher was firmly but only briefly obsessed with. Zero 7 were formed in by producers Henry Binns and Sam Hardaker. In their debut album Simple Things was released selling over a million copies to date and was nominated for the Mercury Music Prize.
They released their second album When It Falls in When It Falls was a Top 10 album, peaking at no.
It has sold over a quarter of a million copies. This vinyl only When it Falls re-issue will mirror the original release, cut over 4 sides and using the original artwork but now pressed on heavyweight g vinyl.
Cutting is by engineer Kevin Metcalfe using his original cutting notes. When It Falls is a timelessly classic album from a seminal electronic band and the essential soundtrack to any laidback summer chilling. Comes with 24 page colour photo book. Modern experimental Belgian brilliance by this ever exciting artist.
Do Not Sleep! When we take time to listen inside own heads, what appears might be closer to the double exposed images and swirling tape manipulations then we imagine. The title is comes from the book 'The Pattern on the Stone' by inventor W.
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Daniel Hillis. The word 'computer' usually refers to an electronic digital device. After decades of near silence, the old skool scene was shocked and thrilled to hear about a new Acen release, and here it is on vinyl! An absolutely amazing slice of old skool that also looks to the future in a classic Acen style, this one is sure to fly! All three tracks on the EP are authentic and incredible and deserve pride of place in any collectors collection! Keep an ear out on the b side as well as label favourite Breaka slices up a massive remix of Sensational The third release is from Christopher Scott Leary, who over the last two decades has produced a plethora of material under his pseudonym, Ochre.
It will also include a full-colour print of the new artwork, re-designed by Portland Oregon illustrator Nathaniel Reeves, who has worked alongside Ochre for almost a ten years. It therefore offers a golden opportunity to rediscover an album that navigates through several genre domains such as ambient, IDM and experimental electronica in its purest form, stylistically reminiscent of the likes of Autechre, conveying a sound considerably ahead of its time.
Radio Mars is happy to announce the next release RM : Deemphasis — Reflections Ep This Ep is particular, it represents the very essence of the Electro style, minimal beats, Robotic voices, melody and a destructive groove…. Deemphasis is a producer specializing in electro, acid and vocoder.
Originally from northern france, deemphasis was influenced in the late 80s by german, english, detroit and belgian techno sounds. Nowadays, he always uses the same approach. In this ep, deemphasis explores some of the feelings one can encounter in a post-apocalyptic world. An acid base consolidates the melancholy atmosphere.
The mechanical rhythm sounds like a dehumanized factory fighting against continuous pressure. I will spare you the J'accuse, but I am going to delve into a sinister and shameful situation for our otherwise beautiful country. I first heard about Mikhailo two years ago through friends and activists. I listened to his music and met him during an interview with Electronic Beats that happened in To be able to meet him in prison gave me the chance to exchange with him on different projects.
After almost a year, I am very happy and proud to announce that my label is ready to release our record on June 15th. I believe music is an expression of freedom and that Mikhailo expresses in his music his longing for it. Maybe if you listen to his music, you will hear the voice of our brothers and sisters in prison. Maybe you will feel and understand that he and many others do not belong there. Maybe you will find the courage to change these laws that hurt so many of our brethren. And maybe you will try to help them see their families and their friends sooner. Music was always my passion since childhood, which is why I decided to work in this industry.
Thirteen years ago I met a girl named Salome in a club, we fell in love and I married her before she gave birth to our daughter who is now nine years old. Sadly for the past six years, I have only talked to my little girl on the phone. She thinks I live very far away in the USA because we did not want to hurt her at such a young age with the truth.
On September 12, , while I was driving back to Tbilisi from holiday, I was randomly stopped and taken into the local police station. After two years in jail, I was granted the right to work on music, and the penitentiary administration allowed me to arrange one room and transform it into a music studio.
Music is one of the most important things in my life and I could not be without it. I collected various parts of music gear that people sent me. It was not easy, and I had to depend on the kindness of many people to get what I needed. During my time in prison, I have managed to release five records. This is a labor of love that I craft and work on during the 5-hour blocks of time I get five times a week in the studio.
I have created music for a play based on 12 Angry Men and for the documentary Facility I also offer music therapy for my fellow inmates. My name is Salome and I am Mikhailo's wife. We are preparing his music studio space that will be ready for him after his release. Of course, Mikhailo has changed, but I do not know if the reason is due to his arrest or simply time, because many people change and improve without going to prison. I do think that prison showed him a different side to everything. He uses time as productively as possible there and I believe he is using his abilities to the maximum.
What he is doing there no one has done before in Georgia. In September it will be six years after his arrest and I think that this a lot of time for such an offense. My name is Beso. A few days after I had been released from prison, after serving eight years on drugs charges, three police officers took me to the police station demanding cooperation in order to prosecute Lasha.
My name is Lasha and I was arrested in for the possession of 0. An amount so small, it cannot be seen with the naked eye. His name was Demur, he was twenty-two years old and in August he committed suicide. The young man left a note which spelled the abuse he had been subjected to. A policeman had threatened him into revealing the identities of people suspected of dealing marijuana in the town of Samtredia.
We are just a few names in the thousands that have been impacted by the current Georgian legislation. Our drug policy is one of the strictest in the world. Is it right? We are not just numbers, we are lives that are destroyed, children that are left alone, futures that vanish. Maybe Mikhailo found solace in prison and became what he was meant to be: a musician, an artist. But what about others who don't find this welfare, this strength? People with no support that are pressured by a police force who often do not see us as human beings, because the current laws do not encourage them to do so.