Wanderer: A Return of Ancient Voices

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Opponents of this interpretation such as I. Gordon have argued that because many of the words in the poem have both secular and spiritual or religious meanings, the foundation of this argument is not on firm ground.

Wanderer : Paul Crawford :

The psychological or spiritual progress of the wanderer has been described as an "act of courage of one sitting alone in meditation", who through embracing the values of Christianity seeks "a meaning beyond the temporary and transitory meaning of earthly values". The development of critical approaches to The Wanderer corresponds closely to changing historical trends in European and Anglo-American philology, literary theory, and historiography as a whole.

Like other works in Old English, the rapid changes in the English language after the Norman Conquest meant that it simply would not have been understood between the twelfth and sixteenth centuries. Thorpe considered it to bear "considerable evidence of originality", but regretted an absence of information on its historical and mythological context. Tolkien , who adopted elements of the poem into The Lord of the Rings , is typical of such dissatisfaction.

The "beasts of battle" motif, often found in Anglo-Saxon heroic poetry, is here modified to include not only the standard eagle, raven, and wolf, but also a "sad-faced man". It has been suggested that this is the poem's protagonist. The use of this emphasises the sense of loss that pervades the poem. Not only do we find physical journeying within The Wanderer and those later texts, but a sense in which the journey is responsible for a visible transformation in the mind of the character making the journey.

A plurality of scholarly opinion holds that the main body of the poem is spoken as monologue, bound between a prologue and epilogue voiced by the poet.

Wanderer : The First Book of the Beirut Quartet: A Return of Ancient Voices

For example, lines , or , and can be considered the words of the poet as they refer to the wanderer in the third person, and lines as those of a singular individual [18] in the first-person. Alternatively, the entire piece can be seen as a soliloquy spoken by a single speaker. An alternative approach grounded in post-structuralist literary theory identifies a polyphonic series of different speaking positions determined by the subject that the speaker will address. From Wikipedia, the free encyclopedia. For other uses, see Wanderer.

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First page of The Wanderer from the Exeter Book. Goucher College. Retrieved 28 January Julie Reidhead.

New York: W. Bosworth-Toller Anglo-Saxon Dictionary. Retrieved 10 September January The Review of English Studies. The Wanderer.

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